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title. Untitled (Group 13)
date. 2019
number of studies. 5
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1. Acetate Print
materials. Acetate Print, green screenprinting paper, bleach, watered down acrylic
size. 9.5 x 10.5 cm
presented. Pinned to surface- left to hang
about. Small acetate print using a photo taken of London (St Pauls Cathedral) from the Tate Modern- printed onto green screenprinting paper. Areas have been bleached and reworked into with watered down acrylic paints
2. Cardboard
size. 13.5 x 16.9 cm
presented. Unframed and stuck to surface
about. Damaged piece of cardboard (found material) used for colour and texture but also a background for the film loop.
3. Film Projection
materials. Bleached 16mm film loop
size. Approximately 8 seconds of footage looped
presented. Projected using EIKII Elf 16mm Sound Projector- on a small scale
about. Found footage 16mm film loop of workers. The film has been looped and bleached in places allowing for bright white flashes across the projection. The nostalgia of the film strip adds a quality to the group and an almost need to remember
4. Found material
materials. Damaged screenprinting paper left in a recycling bin
size. 8 x 9.5 cm
presented. Unframed and stuck to surface
about. Small textured piece of found material. The textures feel similar to those bleached marks in the film loop, the photograph but especially the cardboard. the revealing of layers in particular looks to be forceful, in a moment of panic or rage.
5. Photograph
materials. Disposable camera photograph, spray glue, masking tape
size. 15 x 10 cm
presented. Unframed and stuck to surface with masking tape
about. Black and white, disposable camera photograph (taken on Ilford Single use Camera XP2 C41). Layers of spray glue were applied over the top of the reasonably simple photograph, adding texture.
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title. Untitled (Group 16)
date. 2019
number of studies. 4
overall size. 26.5 x 21 cm
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1. Acetate Print
materials. Acetate Print (A7), inks, cream paper and masking tape
size. 20.8 x 14 cm
presented. Stuck to surface with masking tape and left to hang
about. Small acetate print in the middle of ripped cream paper. The image is of a high rise London and was repeatedly printed adding a detailed yet blurred image
2. Damaged 35mm Slide
materials. Under exposed, 35mm Slide
size. 5 x 5 cm
presented. Unframed and stuck to surface
about. The film slides emulsion was purposely damaged and scratched that when against the wall is the only markings that would be shown
3. Canvas
materials. Ripped canvas, ink, tracing paper, plastic and a pin
size. 14.2 x 6 cm
presented. There is a pin through the canvas at the top of the material, which sticks to the surface- made to look as if the needle is holding it up
about. Small ripped canvas piece with layers of inks built up. Tracing paper is stuck on and torn in areas with layers of melted plastic over the top as well. The piece feels heavy on process and it's really interesting to see what people interpret from this piece. Some have said its glass, light, paint
4. Super 8 Film Projection
materials. Super 8 film of Hartland Quay in Devon
size. 11 x 14 cm - Approximately 11 minutes of footage
presented. Projected using Eumig Super 8 501 Projector onto bottom of cream paper, part of canvas and surface
about. Super 8 to me is the closet thing contextually to a memory because of the quality of the film. The image isn't the best, the colours are a bit washed out and there is no sound but they feel dreamlike and nostalgic. Super 8 was popular in the late 60s and early 80s making it feel like a memory making device. This film is one from my family background and means a lot to me. I haven't damaged the film at all it is used for projection and its qualities. It's calming, soothing and contrasts against the harsh other pieces in this group
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title. Untitled (Group 17)
date. 2019
number of studies. 6
overall size. 26.5 x 23.7 cm
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1. Damaged 35mm Slide
materials. 35mm Film slide
size. 10 x 5 cm
presented. Unframed, layers opened and stuck to wall
about. Damaged family owned 35mm film slide. The cardboard framing layer has been opened revealing the glue layers. The small film frame sits in the middle and is slightly illuminated when the projection shines on it, showing the image slightly. The green cardboard and glue feels dark and sits in this dark coloured, toned group
2. Photograph
materials. Disposable camera photograph
size. 15 x 10 cm
presented. Unframed and stuck to surface
about. Black and white, disposable camera photograph (taken on Ilford Single use Camera XP2 C41). The grey, almost mistake photo feels similar to the damaged photo in this group.
3. Photograph
materials. Disposable camera photograph
size. 15 x 10 cm
presented. Unframed and stuck to surface
about. Black and white, disposable camera photograph (taken on Ilford Single use Camera XP2 C41). The image shows movement and abstraction on a black and white level.
4. Damaged Photograph
materials. Disposable camera photograph, spray glue, masking tape
size. 15 x 10 cm
presented. Unframed and stuck to surface with masking tape
about. Black and white, disposable camera photograph (taken on Ilford Single use Camera XP2 C41). Layers of spray glue were applied over the top of the reasonably simple photograph, adding texture.
5. Polaroid Photograph
materials. Polaroid photograph (using iType film), taken on OneStep 2 Camera
size. 10.8 x 8.8 cm
presented. Unframed and stuck to surface- over the two photographs in this group
about. Failed Polaroid photo which just shows darkness.
6. 16mm Film Projection
materials. Scratched and Drawn on 16mm Film stock loop
size. Approximately 7 seconds of footage looped
presented. Projected using EIKII Elf 16mm Sound Projector- on a small scale- approximately 53 cm away from the group and surface
about. A 16mm cameraless film projection where I have scratched marks into the film stock and also drawn onto it in places with coloured marker pens: therefore there are red hues and smudges over the marks and film. At the end of the film loop there is a millisecond of found footage (around 10 frames), that has been scratched and marked upon and spliced onto the end. There is abstraction and realistic image. The loop is played on the areas of he grouping- onto the Polaroid, and the disposable camera photo: which has resulted in the film to appear different colours in an almost gradient affect across the grouping.
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title. Untitled (Group 18)
date. 2019
number of studies. 5
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1. 35mm Slide Projection
materials. 30 35mm film slides, Slide Projector and Zoom lens
size. 30 slides at approximately 5 seconds shown and then repeated
presented. Projected to surface using a KODAK EKTAPRO 5020 slide projector, KODAK EKTAPRO FF Zoom lens with the slides in a carousel tray
about. I curated a sequence of images using 35mm slides. SOme of these are damaged and scratched, revealing scrapping colours from the removed emulsion. Some are from past family holidays, key moments in my families past and others are found and are there for aesthetic. Some have been damaged through scratching, burning, water damage and some have holes in them. The images are projected above the rest of the group.
2. Damaged 35mm Slide
materials. Under exposed, 35mm Slide
size. 10 x 5 cm
presented. Unframed and stuck to surface, showing the layers
about. The film slide has been opened up revealing the cardboard and paper layers. The image is hard to see all the time but when wither the super 8 projection or slide projection flickers onto it, parts are visible.
3. Acetate Print
materials. Acetate print on white paper
size. 10 x 10 cm
presented. Stuck onto the tracing paper
about. Acetate print using a photo taken of London and St Pauls Cathedral from the Tate Modern. The image is printed onto thin rubbed textured paper. Water is built into areas on top, allowing for colours to run
4. Tracing Paper
size. 17 x 15 cm
presented. Stuck to the surface with tape.
about. Reasonably large piece of tracing paper which becomes visible when light is shone over it in areas showing blurred textures.
5. Super 8 Projection
materials. Found Super 8 film
size. Approximately 4 minutes long
presented. Projected using an Eumig 501 Projector onto the Bedroom wall
about. Found footage is damaged: scratched, drawn on, bleached and overall under-exposed. Some framed have nothing on and just show the dust and light from the projector. Feels like a haunting projection. The group is projected and set up in my childhood bedroom- a more personal setting to some of the other pieces